'Stax: Soulsville, U.S.A.' Is More Than Just a Music History Lesson

Stax: Soulsville, U.S.A. recalls the rise of Stax with their first hit "Gee Whiz (Look at His Eyes)" by Carla Thomas in 1961, officially marking the label's move from country to R&B. The song also marked the beginning of Stax's ill-fated partnership with Atlantic Records that would eventually deal a blow to the company in 1968 that they would never quite recover from.

However, in those intervening years, Stax cultivated iconic artists like Isaac Hayes, Booker T. & the M.G.'s and Otis Redding — with Redding receiving a fair share of airtime in the docuseries given his success, impact and tragic death in 1967.

Through archival clips and interviews with those directly involved, including Jim Stewart, Carla Thomas and Booker T. Jones, Wignot presents an oral history of Stax that not only revels in the hits and music stylings, but also reflects on the racial tension prevalent within the studio halls. It's Wignot's handling of the latter, in particular, that elevates the series from a lesson in music history into a vivid testimony of a shifting culture. Whether it's Stewart and Thomas's recollection of using a service elevator because Thomas, as a Black woman, wasn't allowed in the hotel's lobby, or Jones coming to the realization that the close connection enjoyed with his white bandmates extended only as far as the Stax doorway, Soulsville eloquently examines the rise of Black artists against their lived realities in a country still segregated by race.

To that end, Soulsville gives the time and space necessary to understand the impact of Martin Luther King Jr.'s assassination on the artists of Stax as members of Memphis's Black community. Coincidentally, King's death came only four months after the plane crash that took Otis Redding's life, and also was in the same year that saw the beginning of the end for Stax — a rather painful congruence of timelines that punctuates the emotional impact of Stax's journey.

Soulsville encapsulates the turbulent ride of one of America's groundbreaking musical hubs in a manner befitting those who lent their talents to the label. It's a thrilling story that ends on a bittersweet note: Stax fell at the hands of a dirty deal, but the music and influence continues to sing loudly today, a fact that Wignot celebrates with grace and pride.